Interdisciplinary artist, creator and researcher, director and producer of interactive VR experiences. He works with audiovisual narration, immersive activities, art & science projects, video, interactive film, audiovisual narration, graphic design and visual narrative structures. His current area of interest is mixed reality, gaming engines, activities with 3d and Vr technology and the issue of embodiment. The scope of his research is broad, and his artistic strategy is based on exploring and expanding the boundaries of the medium he is currently working with. Founding member of Inexsistens creative collective, founder of Narration Systems Open Lab, guest lecturer at Speakers Avenue Training Institute, Co-founder of Virtual Occurrences Horizons portal. Leads the author's 3d and Virtual Occurrences II studio located at the Faculty of New Media at the Academy of Fine Arts in Warsaw.

 

beta talesbeta tales

beta tales

objects | llm | ai
hand of lovehand of love

hand of love

phantom_object
ai prototypingai prototyping

ai prototyping

synthographic obj
untitleduntitled

untitled

from Poland with Love
the palacethe palace

the palace

gaming experience
baaschbaasch

baasch

ai covers
from 1 to 7from 1 to 7

from 1 to 7

visual / simulation
images + objimages + obj

images + obj

2020-2023
self-agencyself-agency

self-agency

video | photogrammetry
lovestory | vrlovestory | vr

lovestory | vr

vr experience | 6 dof
lovestorylovestory

lovestory

concept
milkbabymilkbaby

milkbaby

pat dudek | a milkmaid 4 show
bardobardo

bardo

vr experience | 6dof
what ifwhat if

what if

interactive video
symfonia fabryki ursussymfonia fabryki ursus

symfonia fabryki ursus

visual narration | preimaging
printmaking activitiesprintmaking activities

printmaking activities

4 channel installation
embodimentembodiment

embodiment

3d scanning
FWFTWFFWFTWF

FWFTWF

Joyce's Finnegans Wake
FWFTWFFWFTWF

FWFTWF

epilogue
FWFTWFFWFTWF

FWFTWF

self publishing
black movieblack movie

black movie

preconception

The Symphony of the Ursus Factory
Jaśmina Wójcik director, co-writer | Igor Stokfiszewski cowriter | Rafał Urbacki choreographer | Dominik Strycharski composer | Kacper Czubak director of photography |  Jakub Wróblewski author of the films visual concept | With sounds and body memory, the ex-workers of the Ursus factory re-enact one day of work in a plant that no longer exists. The resulting symphony consists of the choreographed movements of the workers as well as of the technical, administrative and managerial staff, accompanied by the recreated phonosphere of the heavy industry.

Storyboards and sketches of visual grammar based on a script.
Presented on Gotong Royong Things we do together –  an exhibition at the Ujazdowski Castle Centre for Contemporary Art.

With sounds and body memory, the ex-workers of the Ursus Factory re-enact one day of work in a plant that no longer exists. The resulting symphony consists of the choreographed movements of the workers as well as of the technical, administrative and managerial staff, accompanied by the recreated phonosphere of the heavy industry. The Ursus Factory used to be one of the largest factory and producer of agricultural machinery in Europe. Throughout almost the entire 20th century it was the glory of the Polish industry. The collapse of communism was the beginning of the factory’s end. These days, the empty halls of Ursus are falling into ruin. Tens of thousands of employees’ working lives were dumped in the dustbin of history. The artists (Jaśmina Wójcik – director, co-writer; Igor Stokfiszewski – cowriter, second director; Rafał Urbacki – choreographer; Dominik Strycharski – composer; Jakub Wróblewski – author of the film’s visual concept) invited the plant’s exemployees – workers, technologists, managers, secretaries – to take part in an experimental documentary project to once more bring the factory back to life. With sounds and body memory, the ex-workers of the factory re-enact one day of work in the plant. The resulting symphony consists of the choreographed movements of the workers as well as of the technical, administrative and managerial staff, accompanied by the recreated phonosphere of the heavy industry. Yet there is even more to the symphony: the almost-forgotten values connected with the age of industry, such as the workers’ sense of community, solidarity and work ethos. The symbolic revival of the factory breathes life into the tractors, which were once produced by the Ursus workers and which are now scattered across the country. Attracted by the energy of memory, the machines return to the place where they were born to pay tribute to their makers: the workers of the Ursus Factory. The plant’s buildings will be gone, but the tractors and workers of the factory will remain its genius loci for ever.


The Symphony of the Ursus Factory is a creative documentary, which applies the methods of participatory art and social practice, and combines video art with choreography and experimental music. Above all, though, it is a voice commemorating the Ursus Factory and the industrial and workers’ culture, a voice which fights for the dignity of the working people and for a historical politics that takes notice of their lives.