Interdisciplinary artist, creator and researcher, director and producer of interactive VR experiences. He works with audiovisual narration, immersive activities, art & science projects, video, interactive film, audiovisual narration, graphic design and visual narrative structures. His current area of interest is mixed reality, gaming engines, activities with 3d and Vr technology and the issue of embodiment. The scope of his research is broad, and his artistic strategy is based on exploring and expanding the boundaries of the medium he is currently working with. Founding member of Inexsistens creative collective, founder of Narration Systems Open Lab, guest lecturer at Speakers Avenue Training Institute, Co-founder of Virtual Occurrences Horizons portal. Leads the author's 3d and Virtual Occurrences II studio located at the Faculty of New Media at the Academy of Fine Arts in Warsaw.

 

beta talesbeta tales

beta tales

objects | llm | ai
hand of godhand of god

hand of god

phantom_object
ai prototypingai prototyping

ai prototyping

synthographic obj
untitleduntitled

untitled

from Poland with Love
the palacethe palace

the palace

unreal engine
baaschbaasch

baasch

ai covers
from 1 to 7from 1 to 7

from 1 to 7

visual / simulation
images + objimages + obj

images + obj

2020-2023
self-agencyself-agency

self-agency

video | photogrammetry
lovestory | vrlovestory | vr

lovestory | vr

vr experience
lovestorylovestory

lovestory

concept
milkbabymilkbaby

milkbaby

pat dudek | a milkmaid 4 show
bardobardo

bardo

vr experience | 6dof
what ifwhat if

what if

interactive video
symfonia fabryki ursussymfonia fabryki ursus

symfonia fabryki ursus

visual narration | preimaging
printmaking activitiesprintmaking activities

printmaking activities

4 channel installation
embodimentembodiment

embodiment

3d scanning

The work exhibited at the first exhibition of the series Bardo – Reflections – EXTENSIVE FILM. The main area of study was the phenomenon of perceiving reality through the prism of means affecting it. The construction of the montage structure was based on Dr. Albert Hoffman's publication LSD – mein Sorgenkind. Die Entdeckung einer „Wunderdroge. The film was a prelude to my research project „Psychedelic Experience and the Language of Film.”

„There are such experiences that most of us prefer to keep quiet about, because they do not relate to everyday reality and do not lend themselves to rational explanations. They are not triggered by some special external event, they are rather related to our inner life… And suddenly, in an unusual, delightful or alarming way, the familiar environment is transformed, revealed to us in a new light, acquires a unique meaning.”

 

LSD – mein Sorgnkind. Die Entdeckung einer „Wunderdroge”Dr. Albert Hoffman / Klett-Cotta @ 1979
J.G. Cotta’sche Buchhandlung Nachfolger Gmb / Stuttgart, s. 3

The concept of the Dream Screen, presented by Alicja Helman – comparing film (film experience) with dream (dream experience) – is hugely engaging. The theory testifies to the continuing relevance of psychoanalytic reflection. Psychoanalysis assumes an obvious connection between sleep and the individual personality (Freud&CO) and sleep and the collective unconscious (Jung&CO). An important event was the publication of Werner Eberwein's book (Deine Rechte in der Psychiatrie /// Psychiatrie-Beschwerdezentrum, Berlin 1982), in which the author does not abandon psychoanalysis despite his critical attitude towards it, he combines this reflection with neurophysiology, linguistics, psychology. Eberwein wonders how the experience of sleep affects our relationship to film, and such relationships are, for me, the initial questions about the type and manner of narrative construction.